Michael Tan, (B. 1980 Australia) a Berlin-based Australian artist and designer, draws on his half Chinese heritage as a key inspiration in his exploration of liminal, digital spaces through generative, traditional, and emerging technologies.
His practice is informed by kitsch Asian aesthetics, reminiscent of the visual language found in Western Chinese restaurants and Asian markets, intertwined with the immersive narratives of video games, the subconscious imagery of dreams, and the intimate dynamics of personal relationships. This synthesis creates a tranquil yet enigmatic atmosphere, drawing viewers into surreal landscapes that invite contemplation and exploration of both abstract ideas and otherworldly spaces.
Using tools such as artificial intelligence, game engines, real-time data, sound, and 3D animation, Tan blurs the line between the physical and the ethereal. His surreal, meditative creations bridge the tangible and the ephemeral, inviting viewers to explore immersive worlds that transcend ordinary perception.
His practice is informed by kitsch Asian aesthetics, reminiscent of the visual language found in Western Chinese restaurants and Asian markets, intertwined with the immersive narratives of video games, the subconscious imagery of dreams, and the intimate dynamics of personal relationships. This synthesis creates a tranquil yet enigmatic atmosphere, drawing viewers into surreal landscapes that invite contemplation and exploration of both abstract ideas and otherworldly spaces.
Using tools such as artificial intelligence, game engines, real-time data, sound, and 3D animation, Tan blurs the line between the physical and the ethereal. His surreal, meditative creations bridge the tangible and the ephemeral, inviting viewers to explore immersive worlds that transcend ordinary perception.